Education
2003 M.F.A., San Francisco Art Institute
1997 B.F.A. Photography & B.A. History, University of Washington
Present Position
Assistant Professor of Photography, Massachusetts College of Art, Boston, MA
Fellowships and Prizes
Kelner Faculty Travel Fellowship, Massachusetts College of Art and Design, 2008
Santa Fe Prize for Photography, 2005
Brooks Award to Anderson Ranch Arts Center, Snowmass, CO, 2003
Artist Book Competition, San Francisco Art Institute, 2003
San Francisco Art Institute Graduate Artistic Merit Fellowship, 2001-2003
Grant for Artist Project (GAP), Washington State Arts Council, 2001
William J. Fulbright Grant, Peru, 1999-2000
Solo Exhibitions
2009
Sawdust Mountain, Henry Art Gallery, University of Washington, Seattle, WA.
Sawdust Mountain, Rena Bransten Gallery, San Francisco, CA.
Sawdust Mountain, G. Gibson Gallery, Seattle, WA.
2007
Animal Holes, G. Gibson Gallery, Seattle, WA.
2006
Borderlands, Yossi Milo Gallery, New York, NY.
2005
Borderlands, Museum of Contemporary Photography, Columbia College, Chicago, IL.
Rena Bransten Gallery, San Francisco, CA.
2003
Stanford Art Spaces, Stanford University, Palo Alto, CA.
2002
West Oakland Walk, Diego Rivera Gallery, San Francisco, CA.
2000
Tawantinsuyo: un viaje fotográfico, Museum of Contemporary Art, Cusco, Peru.
Eirik Johnson: Estonopeica y Estereoscópicas, Ojo Ajeno Galería, Centro de la Fotografía, Lima, Peru.
Eirik Johnson: Redefining the Western Landscape, Saddleback College Art Gallery, Mission Viejo, CA.
1999
Western Ground, RayKo South, San Francisco, CA.
1998
G. Gibson Gallery, Seattle, WA.
Group Exhibitions
2008
Cavallo Point Photography Program, Cavallo Point Lodge, Sausalito, CA.
Animal Intelligence, Gallery Project, Ann Arbor, MI.
2007
Utopian Mirage: Social Metaphors in Contemporary Photographs and Film, Frances Lehman Loeb
Art Center, Vassar College, Poughkeepsie, NY.
On the Wall: Aperture ‘05/’06, Aperture Foundation Gallery, New York, NY.
Selections ’07, Stephen Paine Gallery, Massachusetts College of Art, Boston, MA.
2005
Vital Signs, George Eastman House, International Museum of Photography and Film, Rochester, NY.
2004
Boundaries, Angie Newman Johnson Gallery, Episcopal Academy, Alexandria, VA.
Landscape, Rena Bransten Gallery, San Francisco, CA.
Oculus, ASA Gallery, University of New Mexico, Albuquerque NM.
Headlands Center for the Arts, Sausalito, CA.
2003
Intervals, Artist Television Access, San Francisco, CA.
Bay Area Currents, Oakland Art Gallery, Oakland, CA. juror James Elaine, UCLA Hammer Museum.
New California Masters, Works/San José, San José, CA.
2002
Repurpose, Southern Exposure, San Francisco, CA; juror Nicolas Bourriaud, Director, Palais de Tokyo, Paris.
Reclaiming the Hollow, site-specific installation, San Francisco, CA.
Lucite, Longitude and Joe Namath, collaboration with Toban Nichols, Diego Rivera Gallery, San Francisco, CA.
2001
Re-Imaging the West: a New History, SF Camerawork, San Francisco, CA.
1999
Commotion, SF Camerawork, San Francisco, CA.
1998
Selected Contemporary Work, Robert Koch Gallery, San Francisco, CA.
1997
The Camera Obscured, FotoCircle Gallery, Seattle, WA.
Intrusion: the Contemporary Landscape, G. Gibson Gallery, Seattle, WA.
Collections
Seattle Art Museum, Seattle, WA.
George Eastman House, Rochester, NY.
Museum of Contemporary Photography, Chicago, IL.
National Fulbright Organization, Washington, D.C.
Paul Sack Collection, San Francisco, CA.
Fidelity Investments, Boston, MA.
Joseph and Elaine Monsen Collection. Seattle, WA and La Jolla, CA.
Artist and Special Book Collection, University of Washington. Seattle, WA.
Collection of the President of the University of Washington, Seattle, WA.
National Institute of Culture, Peru.
Centro de la Fotografía, Lima, Peru.
Publications
Sawdust Mountain, photographs by Eirik Johnson, essays by Tess Gallagher and Elizabeth Brown; Aperture Publisher, New York, NY, 2009.
Snow Star, photographs by Eirik Johnson, essay by Thom Sempere; Cavallo Point Books, Sausalito, CA, 2009.
Utopian Mirage, (exhibition catalogue), essay by Mary-Kay Lombino; Vassar College, Poughkeepsie, NY.
West Oakland Walk, Aperture Magazine, essay by Dalia Azim, WINTER 2006-2007.
Borderlands, photographs by Eirik Johnson, essay by Rod Slemmons; Twin Palms Publishers, Santa Fe, NM and the Museum of Contemporary Photography, Chicago, IL, 2005.
Re-Imaging the West: a New History, San Francisco Camerawork Quarterly Journal, Volume 28, No. 1, San Francisco, CA, 2001.
Press
Dwell, May, 2007.
Metropolis, November, 2006.
New York Times, February 17, 2006.
Art Review, January, 2006.
Orion, November, 2005.
Bridge, Issue 16, Fall 2005.
Chicago Reader, “Earth, Wind and Tires,” September 2, 2005, Camper, Fred.
Time Out Chicago, August 18-25, 2005.
Rochester Democrat & Chronicle, July 17, 2005.
San Francisco Chronicle, “Johnson captures melody amid cacophony,” July 16, 2005, Baker, Kenneth.
SF Weekly, “Reality in Abstract,” June 29, 2005, Mizota, Sharon.
Planet Magazine, Issue 7, Fall 2004.
Zzyzva, Fall 2004.
East Bay Express, May 27, 2003.
El Comercio, Peru, June 2000.
San Francisco Bay Guardian, February 17, 1999.
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